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| Release and Promotion Catalogue - listed alphabetically by artist |
“Absolute morph onto a bruisingly melodic curve, they pen tunes that coil around your scull and take residence without invitation” Kerrang “Incredibly powerful vocal from Izzi the band back her up brilliantly” Rhythm and Booze“This is truly original, a powerful debut” GC Rocks Shattered CD single (Club Mix) Dark Beat / Holier Than Thou / Dist - Universal |
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Well if The Darkness have revived some good old seventies rock 'n roll and posturing, there must be hope for Bungalow Zenn. This four piece band have bags of attitude and make a glorious noise on this demo single, a very American sound and truly Aerosmith in spirit with a dash of Whitesnake and Zep thrown in for good measure. Within seconds you'll get hooked into the marvellous, retro, and insidious riff. We want more! If your particular brand of cocoa is heavy, crunching riffs and strong melodies, and a fair helping of raunch and roll, you will be fully satiated. However, you are likely to be kept up at night. Mark Damon's vocals are top notch, Jim Owen's guitar powerful, and the rhythm section of Mark Snowling (bass) and Ian James (drums) - especially on the track 'Let It Rain' - superb. It is this solid musical foundation that means Zenn could really go places in the future Get Ready To Rock |
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" strong female lead vocals, whilst the playing is fairly accomplished
with some crisp drumming, whilst never heavy enough to be headache-inducing" CUR1350 Radio Cambridge University
“Nice Track, upbeat catchy song, you can jump up and down and dance too” KCC Live Liverpool "Vocals are nicely foregrounded, and the driving pacey playing is both supportive and entertaining." UCA Radio
Izebella has a terrific voice, this band can certainly play, I liked this Instantly |
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Raping The Reverie (Single Edit). Atmospheric opening before initial power chords kick in forcefully. |
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Familiars are Steve Skinley and Rick Morton, based in Cirencester, Gloucestershire, UK. They were both previously in the Bristol-based band Keyop, whose 2000 single ‘We Hate Andrew Song’ had rave reviews in the music press. As well as writing songs for an intended new album, Familiars have also been busy composing commissioned music for dance and fashion shows across the south of England. They will start a programme of live music this summer. The band take their name from the spirit helpers of witches, who took the form of small animals. They are strongly inspired by things supernatural and strange, and their songs feature subjects such as lost explorers, the last hours of goalkeepers, alien abductions and the love-lorn witch in the song ‘Embers’. Familiars use any instrument or item they can find for their music, ranging from classical guitar to a hamster cage. "Guts" from the EP is a beautiful slow burner that grabs your attention with its spinechilling, ghostly - almost gothic - intro. Once caught by the magic, it keeps you with its soft beautiful melody, mellow beats and lyrics that grab you from the heart. Absolutely gorgeous tune. I'd love to play this on my show, without doubt. Stunning! KCC Liverpol |
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"Tool with the moody pretension replaced by Every Time I Die's unpredictability. Disturbed with System Of A Down's sense of sharp, syncopated rhythms and Max Cavalera's ear for ethnic sounds and rhythms." Metal Hammer |
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 FLESH RESONANCE "The Feast Of Shadows" album release 2006 (Out Of Stock) The Feast Of Shadows is the follow-up to UK based Flesh Resonance's The Dark Between The Stars (see AI #25). The band is the quartet of Tony Longworth on vocals, bass and programming, Andy Morris on keyboards, ebow guitar and programming, Melanie Webb on vocals, and Keith Hill on guitars, vocals, programming and percussion. Flesh Resonance describe themselves as Dark Ambient electro-rock, and while the music is certainly dark and includes elements of ambience and electronics, the atmosphere is ultra spacey throughout, with a powerful grooving dance vibe, heavy symphonic keyboards and a haunting Gothic edge. The first moments of the opening track, "Welcome Exile", took me by surprise, sounding like a freakout moment from the Space Ritual. But the band quickly launch into an industrial metallic rage with kinetic electro rhythms, sympho keyboards and haunting voicings. Like a heavy metal space rave. Other highlights include "Reflections & Shadows", a beautifully dreamy space-pop tune with gorgeous atmospherics and melodies."In The Wake Of Eternity" is one of my favorites, being a killer blend of Ozric Tentacles, heavy proggy keyboards and Goth. "Let Go The Soul" and "Spectral Reality" are both short transitional tracks that have an 80's Hawkwind sound to them. Another favorite is the 8 minute "Worlds Within Worlds", with its cosmic blend of industrial aggression and seductive melodic dreamscapes. And "Reaper" is yet another standout that sounds like a more rave oriented version of Chrome or Pressurehed. An outstanding set of space rocking, raving, --- Jerry Kranitz Aural Innovations. Back to top of page  |
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"This band won their regional "battle of the bands" contest, went to the national and won it for all the UK, went on to Europe, and placed in the top 13. The band flew over to the USA to record in the home studio of Tim Bushong (Lovewar, Channelsurfers The outcome is quite solid sounding, capturing the aggression you want from a nu-metal or raprock band. And like their big brothers across the ocean, Gen has crafted many songs and moods that stretch beyond the simple raprock formula of hip hop vocals over straight up crunchy riffs. The P.O.D. Satellite (and specifically Marcos Curiel's guitar tone) influence is strong and undeniable, but I've got to admit I really like many of these songs. "Dead To The World" is a standout track and a perfect example of the fore-mentioned sound. The tune only suffers from a tired chorus. A nice step up for this band. "Hinting @ Nothing" is one of their earlier tunes that received a facelift that broadens its sound".... HARD MUSIC MAGAZINE USA . |
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 GASH “Virgin On The Ridiculous”album release 2001 (Out Of Stock) “......Can actually do the So-Cal-style melodic punk thing...... a host of favourable comparisons with everyone from Good Riddance to Bad Religion. Kerrang Signed to Golf Records. Back to top of page |
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Well, if the band's name doesn't give it away then surely the title of this Hellfire EP, 'Bleed For The Cause', will tell you what to expect here; monster metal mayhem that'll make yer ears bleed! Warn yer neighbours, throw the pets into the street, close all windows and doors and make sure you've got adequate building insurance cover before you put this one on - then let it rip!!!! Hellfire don't make any excuses and don't hold back for one single second - Hellfire simply go straight in for the kill, aiming precisely and unerringly for the jugular in an attempt to rip yer throat to pieces with frantically paced hardcore metal that's in yer face and devastatingly scary shit. Throaty growls vie with screamin' vocal histrionics amidst the slammin' drums, thumpin' bass and howlin' guitar chords - don't play this in front of grandma - she'll bleed to death in her bed and you'll have some explaining to do!! HELLFIRE - Bleed For The Cause - Four slices of brutal blasting relentless screaming yelping extreme violent hellnoise metal from the English midlands. Well recorded, professional, locked, loaded and ready to violate the ears of you Raging Speedhorn/Mistress style blistering brutal flower picking cake bakers out there Organ Fanzine Like has happened many times before, from a small working class town in the UK emerges yet another group of angry young hooligans armed with sharp pieces of metal and wood, ready to take out their anger on society. Well, at least this time it’s the Metallic foursome HELLFIRE who only seem content to unleash their snarling brand of Deathcore mayhem upon the hapless audiences down at their local pub. Four tracks last a total of 13m 21s with a lengthy intro; trust me it seems a lot shorter. The last time I remember being challenged and bludgeoned to this degree was the first time I heard "Reign In Blood" - high praise but listen to this and you will understand why I make the comparison! This CD pummels you senseless, but still has diversity. Can't wait for the full album and I will recommend it wholeheartedly to any fan of hardcore, death and extreme metal in general. Stunning live too - buy the album and see if I'm wrong! |
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 I KILLED PHAROAH ( Radio and Club Promotions 2006/07) Sounding like nothing so much as QOTSA, Amen, The Wildhearts and Faith No More all queuing up to slap your chops, you could be forgiven for thinking that I Killed Pharaoh intend to unleash a veritable tide of tumultuous rock, with a vicious undertow of melody, Coming from a town where there is nothing else to do other than immerse yourself in music, IKP came to being in late 2005 as the culmination of a long musical journey for four friends: vocalist Ven Wellington, guitarist Luka Van Drake, bassist Marcos DeVias and drummer Havarde Collins. Driven by the desire to create music that crackled with the excitement of the bands they had been raised with- namely Primus, Rocket from the Crypt, Tom Waits, Rage Against the Machine and 3 Colours Red, to name a small portion- the Pharaohs set about writing like never before, and came up with a sound that was completely unlike any of their formative influences, yet was also so very similar. Crashing guitars and soaring vocals, on a rock-solid bed of groove, was the order of the day. Since those heady days, IKP have been exposing audiences to their own unique blend of aural narcotics, all the while developing their repertoire and creating the kind of songs that may one day rid the world of many of its chief ills. They beg of you to join them on their singular path, and hope you enjoy the inevitable results. Signed to Lock Jaw and releases their debut May 2008 |
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I listen and I cant get that idiotic smile off me face" Melodic Net SWEDEN |
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NME Unsigned Acts 05/05 "...you'll find that the music speaks for itself."
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MERETTO Chainsaw Art album release 2001
Preview / Buy  'Meretto mix the verbose vitriol of early Manics, the taut energy of At The Drive-in, add a slug of pop sensibilities and shake it all up with their own secret ingredient to give us something new and tasty. With a dual vocal onslaught from Messrs Bell and Burgess, the aptly named Sonic Incendary Device is propelled along by snaking bass, guitars that chime and lacerate, and adrenalised drums.' --- Independent Sound UK --- Jaunty energetic spiky prog-edged indie rock that views life through a whole world window. Warm passages of clever melodic adventure, a slightly more indie more traditional and perversely, more rocky Oceansize with quite a few slices of It Bites or more recent Marillion or Jadis – little bit more dirt under their nails though, that dirt gives then an edge (Jadis and Marillion are just boring these days) . Worth checking out if you’re in the mood……. --Organ Magazine-- Meretto are a art rock/power pop three piece hailing from Reading. The self proclaimed children of the 80’s draw in influences from such music genres as prog rock, Britpop, classical and metal. The by-product of these influences is Chainsaw Art, Meretto’s latest release. The opening track ‘OK, Hello, Now!’ provides a strong introduction to the album and instantly breaks down the formal musician/audience barrier, that often separates bands from their audience. This is achieved by the lyrics being sung directly to the audience and placed over a perfectly tuned bass line. The idea of the broken formal musician/audience barrier is carried on and furthered in the subsequent songs. Tracks such as ‘Chainsaw Art’ (sharing its name with the album.) and the single ‘My T.V’ particularly stand out. This album is a sure fire winner. Providing reason after reason to follow this up and coming art rock/power pop three piece-Meretto. --- Review by Charlotte Antczak GET READY TO ROCK With a dual vocal onslaught from Messrs Bell and Burgess, the aptly named Sonic Incendary Device is propelled along by snaking bass, guitars that chime and lacerate, and adrenalised drums. ---Indiesounds UK-- Really like this up tempo indie punk style Excellent” Bedford Esquires venue club UK “FAN – BLOODY - TASTIC 10 out of 10 drags you straight In” Hobgobiln Rock Night Aylesbury UK …this is more like it spikey melodic punk / rock Subculture Birmingham rock club UK ..great drumming and good vocals huge potential toward the younger rockers Stairways venue /club UK catchy and topical went down a storm…. floor filler Chemistry rock club UK “Huge sound high energy band a favourite here” The Garage London (Mean Fiddler) UK Back to top of page |
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 MESSENGER Head For Glory 2007 (Promotion) Based in Norway, the band have toured throughout Europe. They are enjoying a growing reputation on the rock scene with followers favouring their great musicianship. Ole has also visited America and recorded a number of tracks with such re-nowned musicians as Nathan and Marcel East, John Robinson and the Earth Wind & Fire horn section. “Very 80’s Bon Jovi style, good song” David Evens head of musicWCR am University Of Wolverhampton A Listed “Strong enough to edge into the chart” Marcus Head Of Music UCA Radio Ayrshire "I'd brand this as "driving music" if im honest. I do like it, it's a very positive song. It's not challenging to listen to in the slightest, so I'd imagine that most people would like it, no matter what genres they like. I can also picture the chorus being used over a morning television montage of best bits - I mean that in a nice way, i can see commercial success for this band.” Jonathan Dadds URY - York University. Back to top of page |
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 NEON ZOO "Heaven Sin" album release 2005 (Dark Wave/ Electro Rock) Preview / Buy Rather decent lush restrained intelligent dark wave electro goth rock for people who like things like Inaura or maybe a not so hard nine Inch Nails – they do it rather well. Nice artwork toooooooo -- ORGAN MAGAZINE -- Heaven Sin is a lavishly packaged 12 song album that revels in the technology that was used to create it. there is a solid sense of power behind each of these songs, and a depth and complexity of sound which is mesmerising….a vast slab of development and evocative soundscapes..-- SANDMAN UK -- Heaven Sin has a lot going for it, a kind of indie industrial. Neon Zoo play with maturity and a multitude of influences and their apply their samples with a freshness not so often herd in these days of perfecto programming. -- ROCK SOUND UK -- “Heaven Sin 'The brand new Neon Zoo CD sounds... grrrrreat! Or should I say "even better than that!" An album full of quality songs. Good job boys. Must listen more.' DJ Heidi - Schatten Club 'A brilliant debut album, one of the best upcoming bands for a long time' -- FUNERAL NATION' (Dudley JBs) -- A new and exciting band from the Midlands (UK). This is the title track from the band’s debut album, and one which is bound to become one of the alternative anthems of 2005. Be among the first to visit the Neon Zoo and indulge in a little Heaven Sin.' -- Kaleidoscope magazine (review of cover mounted track, Heaven Sin) -- 'It’s about time we heard a decent industrial rock band. There haven’t been any good new ones to tear the world apart in quite a while. But now Neon Zoo have been unleashed and come with an album in the works entitled Heaven Sin, chockful of electronic samples, fuzzy pumping beats and a ghostly, gothic air.' -- Black Velvet magazine (album review) -- 'Finally a new, bright light shines from the black cloud that has been the UK scene for so long. This band WILL make a difference.' -- DJ CT (UK alternative club DJ)-- Good stuff , very playable, yet still has that delicious dark edge without being to far out there. The production is very polished. “Darkest Dance” has the edge entering in our playlist chart at number 18. UCA Radio University Campus Ayr “Much preferred “Heaven Sin” lots of attitude this is the kind of music I listen to and will be plugging both tracks” B1000 Radio Brunel Uxbridge “Darkest Dance is cool and funky” Bailrigg FM Lancaster University Great sound, takes me back to the 1980’s with the keyboards and psychedelic tints late night chilling music. Surge Southampton University There is something appealing about Darkest Dance very addictive Club Evol Edinburgh “We really like this, its funk yet dark and very different” Raw University Of Warwick. Back to top of page |
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Takes in a wide spectrum of influences the most prominent are Tom Petty, Bob Dylan and Van Morrison. Nelson is an accomplished blues musician "Acoustic" showcases Nelson at his best. Born and growing up in Brighton, Nelson's first contact with musicians was when the Shadows bass player, Brian Locking came to stay. One of Nelson's strongest memories is of Brian and a fellow musician creating music with his mother's saucepans. Nelson began writing songs when, at 16, he joined his first band, Parsley. The bass player he replaced, Julian Scott later went on to have a number one record 'Pop Music' with his brother Robin under the name of 'M'. Nelson always had a great interest in recording and turned to record production.Nelson produced various singles and albums for fledgling independent labels. The first single, for a band called Carnage featured the artist Jake Chapman of the Chapman Brothers on lead guitar. Jake also designed the picture sleeve. The band signed a P&D deal with Rough Trade and made two albums. A track was included on a Christmas compilation, reaching number 1 in the independent chart. Nelson also produced a single for the band Onslaught achieving number 5 in the NME chart. TRACK LISTING Can It Hurt Face The Sun I Can Roll House On Fire I'll Fall For You Blow Me Away You Don't Have To Say Would You Carry Me. |
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Never the Bride's Nikki Lamborn and Catherine Feeney first met on stage at a jam session in a London pub. Their live reputation went from strength to strength and big support slots followed from The Who, ZZ TOP and The Pretenders. After successfully supporting The Who, a personal call from Roger Daltrey lead to Nikki and Been joining Daltrey, Alice Cooper, Paul Rodgers, Peter Frampton and a few more rock gods on The British Rock Symphony Tour. The band toured the UK, Europe and Australia with the Orchestra, making a huge impression with their interpretation of Led Zeppelin's Kashmir and Stairway to Heaven.
Their first performance at The Royal Albert Hall is a key moment in Nikki and Beens' lives. Roger held up both their arms and said to the audience who were going crazy, "What d'ya reckon then? Nikki Lamborn has the best female rock voice since Janis Joplin and I know what I'm talking about, I knew Janis." "After The Rock Symphony Tour ended in Australia, we decided to stay awhile and write some songs," explains Been. "We did a Thelma and Louise, rented a car and drove across the country drinking tequila in small bottles.
"The money had run out by the time we reached Sydney, but luckily it was around the time of The Olympics and there were lots of people to entertain. Our busking skills paid for the song-writing trip and some of those songs are on our latest album, Surprise!" Nikki's powerful presence and strong vocals has been described as Tina Turner and Robert Plant rolled into one. Her incredible voice came under the spotlight while coaching a Cambridge choir girl in the ways of rock for Channel 4's Faking It series. Been, keyboard player and occasional guitarist, is the main composer behind the songs that together with Nikki's voice, make Never the Bride unique. Other band members include Murray Gould on guitar, who has played with Elton John, Dido and Faithless, and David Levy on bass, who has backed Rory Gallagher and Bonnie Tyler amongst others. Drummer Richie Newman's previous gigs have included Steve Marriott, Rory Gallagher, Alvin Lee and Sam Brown.
As a response to their growing fanbase worldwide, the band have recorded a DVD rockumentary, entitled For Richer For Poorer, highlighting life for a rock band on the road both at home and abroad. |
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"Ilogical Life" This have a modern play Peter Gabriel feel to it seductive and electric , with the kind of |
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Intelligent riffs and a dirty mayhem-driven sound, Shilling Whores have a sound that is rarely heard beyond the doors of a local club and I'm starting to question why this is; often it's because the music isn't instantly accessible but THIS IS A band that sound like a cross between Incubus and the harder edge of Queens of the Stone Age. You can't help but enjoy this real rock treat! More Than Just Radio National Internet Radio Playlist Comments “ Love The Tracks Blue Sq , Welcome To My World, Urso, this band will do well. |
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 SOLITARY "Nothing Changes" 2000 CD release (out of stock) "Glorious thick edged riffs, double bass drum rhythms and the standard throaty vocals mingle effortlessly and morph onto a monstrously heavy modern groove". Hard Roxx - . ...best metal of the nineties Terrorizer Now Signed to Copro with a re-release of the album Second Chance from Nothing Changes went to number 5 in the overall UK downloads charts. Having been downloaded on average two thousand times per month they were positioned at number 12 in the Global mp3 charts .... Now Signed to Copro Back to top of page |
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“Picture this, Robert Smith on stage with Bono, Jimmy Page and that bloke with the funny voice from Crash Test Dummies…The lead vocalist has a deep incredibly powerful voice that sticks with you after the last wail of electric guitar has faded…Symptom are literally electric” – Karen Cloudesley (Apr 96) THE PAGE TEPMORARY ALIEN RESIDENTS Reviews Re-release TBC ABOUT THIS THEIR SECOND ALBUM This is Symptom’s second album which was recorded in 1998. Of its 12 songs, 5 were recorded in Hartlepool and 7 in Nottingham. Again, all main foundation tracks of drums and the three guitars (with a guide vocal) were recorded live in the studios. Main vocals, and harmonies, some percussion and keyed strings, and post-production were added later. It took 6 days to complete (4 days recording and 2 days to mix down). The only song that didn’t receive any post-production is ‘Conscience’ which has been added as a bonus track at the end of the album. It was recorded live with the guide vocal complete in its lyrics so left on. At the end of 1998 the whole album was ready and planned for release in autumn of 1999. Throughout 1998 and early 1999 Symptom gigged the UK promoting their first album. They were voted “Best of the New” by NME at end of 1998 and chosen to headline the start of the NME Carling Premier Tour during 12th–20th January 1999. Unfortunately, soon after the tour Symptom broke-up and the album was shelved and never released. Only two songs from the second album were released as special limited edition singles for fans and promos for radio play: “I Believe in You” in 1999 and “It’s Raining (Down on Me)” in 2000. “Just received an advance copy of “I Believe in You”. I can’t stop playing it! It’s gut-wrenchingly beautiful…his voice is for real! Moodier than the Verve…more passion than Pearl Jam. Who the hell are SYMPTOM? In my book, with this single alone, they can f***ing rule the world” – JJ Brenner (Jan-Feb 99) JAMMARAMMA ZINE |
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The Afterglow, it has to be said, remind me just a tad of U2; with their worldly, poetic lyrics set to soaring, rockin' riffs and superbly rounded balladic rock and everything done to a turn. The U2 comparison is meant to be a guide rather than pure fact as The Afterglow are very much their own musical beast with very much their own way of doin' things. Those things, they do extremely well; 'Decalogue Of Modern Life' is a t'riffic, gentle romp through contemporary, meaningful rock music of the not too heavy variety. The Afterglow show finesse in every department - they have a great sound that draws you gently in and then caresses your senses into submission. The Afterglow write and perform mature rock music for the 21st century. There's some 'big' songs here with anthemic tendencies but there's also an over-riding commerciality with the coming together of solid rock attitude and 'pop' sensibility. The Afterglow have a knack of bringing 'proper' rock home and making it accessible and friendly without once selling out to banality. Not content with simply writing good songs, The Afterglow's musical arrangements are awesome and add so much to the overall appeal and listenability of this excellent album. These are damn cool and clever dudes! The title of this superb album, 'Decalogue Of Modern Life', is clever and pretty self explanatory - so you can no doubt work out for yourself how many tracks it contains and have a pretty good idea about its lyrical content too.
The Afterglow have set very high standards for themselves here. With precision and attention to detail The Afterglow 'pull out all the stops' - the album is beautifully packaged and presented - and lets face it, if you're gonna buy one apple from a basket you're gonna choose the one that looks most appealing and tasty - so it is with 'Decalogue Of Modern Life' - first impressions and all that!! Very professional and very well crafted from start to finish. 'Decalogue Of Modern Life' by The Afterglow is pretty much as good as it gets within its massively appealing genre. Flawless, ripe, shiny, juicy and damn tasty. Impressive stuff this, well worth a looksee, and I wish the lads well with it. Peter J Brown aka toxic pete |
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 THUNDERCLAP inc the new recording of "Something In The Air" 2006 Pete Goodall (Thunderclap Numan) latest album is the anthology of a historical journey from the music maker’s first foray into the industry, through to modern day. “It’s my Lonely Planet guide to the early 1960s onwards and is a total retrospective,” explains the man who played guitar in the original Thunderclap Newman from 1970 -71, and who performed with the Troggs from 1972-73. “It’s basically my journey through the music business as player, booker, producer, writer, publisher and everything else.
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Thunderbird 13 are a hard hitting rock'n'roll band based in the south west of England. Formed from the remnants of several other bands, frontman Goffzilla fuses each members love of all things rock'n'roll to produce a sound that hasnt been heard since the good old days. Starting life as a studio project back in 2006, Thunderbird 13 soon became more than that as soon as it was proven that groupies arent found in the studio, they are found at gigs..... that and the more than pleasing response to the finnished tracks gave them a thirst for more. Turning a by-product of being sick of listening to fads and trends and an aminalistic hunger for volume and guitar solos into a musical experience, they are grabbing genres of the past by the balls and punching modern music in the face. 2007 is set to be quite a year for the band, so if your down with Thunderbird 13 and ready for a rock'n'roll revolution get onboard cause the wreckin balls a rollin. "Take or Leave It rolls a steady driving beat. I like all five songs on the CD, |
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Below text taken from the Copro Records website. |
ABSOLUTE "Obsessive" album release 2001 Holier Than Thou / Universal
BUNGALOW ZEN “Let It Rain” EP release 2002 
Dream Infernal "Naive" single release May 2008 
FAT B.A.B.E "Back Bone" album release 1997
FATHER "Inspirita" album release release 2007 
GEN "Rite Of Refusal" album release 2005 Meltdown / Holier Than Thou 
JETLINER Space Station album release 2005 
JOHN "Last Of All" EP release August 2007 
NELSON KING "Acoustic" album release 2005 (Acoustic Blues) 
NEVER THE BRIDE "Suprise" album release promotion 2004 
RICHARD JOHN THOMPSON 2006 promotion (Indie Pop)
SHILLING WHORES S/T ep release March 2008 
SUCKING DIESEL "Sick Romantic" ep release 2006 (Punk Rock)
SYMPTOM "I Believe In You" album release 2008 ( Dark Melodic Rock ) 
THE ABBOTS "Vade FIre Session EP" May 2008 (Indie Rock)
THE AFTERGLOW "Modern Life Virus" EP 2004 Now signed to EMI (Indie Prog mix) 
THE BLAME"Chameleon" EP release 2006 
THUNDERBIRD 13 "Take Or Leave It" EP release 2008 
TORN "Disturbance In The Equilibrium" album release May 2008 
TORSOHORSE EP demo 2001 (promotion) 
Violet Ultra "Distrurbing Joy" 1998 album release ( Punk)